Another winner Sarah 🌟
Decaying Light © Sarah Vernon
After the success of Scorched Earth both here and in my galleries, I couldn’t resist trying the same process with the 2 Lil’ Owls texture—2LO Distressed 21—on my Chania lighthouse photograph. However, instead of Photoshop’s Overlay mode, I used Soft Light. I tweaked the tones of both the photograph and the texture so that the overall effect had more red than in Scorched Earth, or a Titian tone as I like to call it: such a lovely word.
Regular readers will know I do a lot of tweaking but I haven’t mentioned it for a while. I’m saying this just in case you experiment with the same processes I describe using similar photos or textures and discover you end up with something that doesn’t come close! For exact descriptions of what you can achieve in Photoshop, do visit Syd at DigitalLady. I don’t…
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